Ethan Greenbaum is a New York based artist.

Selected exhibition venues include Derek Eller Gallery, New York; Hauser and Wirth, New York; Marlborough Chelsea, New York, Higher Pictures, New York; New York; Marianne Boesky, New York, Lyles & King, New York; KANSAS, New York; Circus Gallery, Los Angeles; Steve Turner, Los Angeles; The Suburban, Chicago; Galerie Pact, Paris; Super Dakota, Brussels; The Aldrich Museum, Connecticut; and Socrates Sculpture Park; Long Island City.

His work has been discussed in The New York Times, Modern Painters, Artforum, BOMB Magazine, ArtReview and Interview Magazine, among others.

Ethan is a cofounder and editor of thehighlights.org and his writings have appeared in the Brooklyn Rail, Wax Magazine, BOMB, Paper Monument and others. He has also curated and co-curated multiple exhibitions at venues including The Suburban, Chicago; Lyles & King, New York and Super Dakota, Brussels.

Greenbaum is the recipient of the Queens Art Fund New Work Grant, the Silver Art Residency, The Keyholder Residency at the Lower East Side Printshop, Dieu Donne’s Workspace Residency, LMCC’s Workspace Program, The Robert Blackburn SIP Fellowship, The Socrates EAF Fellowship, The Edward Albee Foundation Residency and The Barry Schactman Painting Prize. He received an MFA in Painting from Yale School of Art.

Gallery Contact: info@galeriepact.com

Studio Contact: ethan@ethangreenbaum.com

Other Projects: The Highlights

CV

Another multipart 3D print made with @taylorabsher7. We scanned fragments of a hollow core door. The missing and extended parts are glitches where the scanner can’t pick up areas or merges the scanned object with the table it’s on. Usuall
Another larger 3D print. Inspired by the layering of insulation and stone I’d see during building construction-the extrusions were a form of transparency and a way to turn the usually buried logos into a design element Dens, 2015 3D Powder
Couple from a series of 3D prints I made at @nyuniversity with the great @taylorabsher7 These are based on scans of interlocking tile panels. Still have fantasies of mass producing these Tongue and Dressed 2015 3-D powder print, UV varnish 15
I made this based on photos of street signage in Brussels that I took while installing a show @superdakota. I was really interested in the clarity of the graphics and how they contrasted with the decay of the surface. I tried to emulate this in the
Made this piece based on a sign that had been removed from the side of a building. Love these moments when the message stops. Verse 2018 29x21 Direct to substrate UV print and acrylic on plexiglass
AI Sketches reiterated from my own photos. I love the how Dall-e can’t handle text. The breakdown of legibility reminds me of lucid dreaming or an acid trip (also a stroke, so I hear)💭
Studio details 🔎
Install shots @galeriepact Entre(vues) 🖼️🖼️🖼️🖼️🖼️🖼️🖼️🖼️ Artists: Andrew Grassie, Ethan Greenbaum, Katharina Grosse, Yves Klein, Louise Lawler, Olivier Mosset, Jean Nipon, Richard Pettibone and Peter Schuyff #andrewgrassie #ethangreenba
I have this little nugget up now @galeriepact for their show Entre(vues) ‘Any’, 2019. Double sided pigment transfer and acrylic paint on carved acrylic, 8.5 x 8.5 in. Great group of artists: Andrew Grassie, Ethan Greenbaum, Katharina
New work ☁️
I’m really happy to announce the release of my first monograph! I’m so thankful to everyone involved. Published by @galeriepact with the support of @cnapfr. The book was designed by @damiensaatdjian with an essay by @ddotpalmer